Benjamin Nowicki has over 25 years of experience in the Art Department of mainstream film productions (DreamWorks, Sony, Paramount, Universal, Warner Bros., among others), collaborating with directors such as Christopher Nolan, Nancy Meyers, Sam Mendes, Gore Verbinski, and Robert Altman. He was Art Director for Dunkirk (Oscar-nominated), Art Director for First Man (Oscar-nominated), Set Dressing Coordinator for Road to Perdition (Oscar-nominated), and Art Department Coordinator for The Prestige (Oscar-nominated). As a Graphic Artist, he worked on numerous international box office hits and Emmy-winning TV shows, such as The Morning Show, Big Little Lies, FlashForward, and The Unit.

He is a member of The Art Directors Guild, where he is qualified to work in three crafts: Production Designer/Art Director, Set Designer/Model Maker, and Graphic Designer. Benjamin has extensive location experience and is a dual citizen able to work without a visa anywhere in the Schengen Zone.

"I believe transitions are as important as achievements, and we’re in this liminal space where work itself has changed. Personally, I feel like I’ve met my moment right now. I feel very comfortable in this space since I’ve made my career about implementing new technologies and workflows to realize efficiencies in service of storytelling. I’m very focused on ways to be immediately effective when presented with a story. It’s why I created my workshop, the d-Stage (Design Stage) as a proving ground that integrates the physical and imagined worlds we’re building. It’s a place to workshop ideas with thoughtful inclusion of tools that keep us as close as possible to the creative work at hand. So we start early and small, with a focus on the subtleties of creative work and the chemistry of collaboration, because that informs everything that follows. The new filmmaking landscape demands we begin to reveal what's worth fighting for as soon as possible."